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1)      Narrative is so much better than dialogue.

2)      Adverbs are absolutely essential.

3)      Using the tag “said” to carry dialogue is boring. Spruce it up a little by using words like grumbled, declared, cried or gasped.

4)      If you must use the word “said” then by all means pair it up with an adverb—“Harold said, sadly.” Now the reader knows for certain that Harold is unhappy.

5)      Readers are dumb. They are unable to infer a single thing. Spell it out clearly. If you're still uncertain that your reader gets the gist of what is taking place, then by all means, write it again. You may have to write it several times to ensure that the concept has been thoroughly explored and explained—“Harold said, sadly. The tear sliding down his cheek proved his unhappiness. He cried a little more. He had never been so unhappy in all his life.”

6)      Exclamations should be used often! They are the visual signs of excitement and thrill! The proper rule of thumb is at least one exclamation point per page but no more than ten. Double exclamations or exclamations paired with a question mark are AWESOME!!

7)      When using dialogue, infuse it with a thick coat of regional dialect.

8)      Obviously, words are a writer’s paintbrush. A writer can never use too many. If you write anything less than 150K novels, then return to your novel and see what you’ve missed. Because you have definitely missed something.

9)      Building on point #8, NEVER delete words or scenes from your manuscript. Every word is necessary and essential to the story development.

10)   Characters must remain consistent throughout the novel. If a character begins the story rich, happy, and full of vigor, then they must end the story the exact same way. Otherwise, you risk confusing your reader by writing too many emotions.  A consistent character is ten times better than a character who is flighty and unpredictable.

11)   Phrases such as “all hell broke loose”, “needle in a haystack”, “so hot you could fry an egg on the sidewalk” are not only cute but are widely known terms that people worldwide can relate to.

12)   When your character enters a new setting, take two to three pages to describe in detail his or her surroundings. If it is a room in a house, include the description of not only the drapes and rug thickness, but a full description of the sconces on the wall and the pattern of the wallpaper. This is important to the story.

13)   A great novel starts with backstory.

14)   Never show your work to anyone but your parents, boyfriend, girlfriend or adoring grandmother.

15)   Imagination is dangerous and full of lies and deception. Write only what you know. Back it up with facts and references (add footnotes to your fiction as proof of your knowledge).


What other funny or bad advice would you add to the list? I know I've missed a bunch.
 


Comments

06/06/2011 00:57

*LOL* Don't forget to enrich your descriptive writing with lots of adjectives that the reader can help to picture the scene, like how the bright, orange sun is rising over the green, lush forest while the colourful little birds begin to sing a cheerful, melodic song!

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06/06/2011 01:29

Hehehe love those.

Mine are:

Always start a book with a discription of the weather. Note that weather must always reflect the drama unfolding.

But my favorite is:

Your story needs conflict. Make sure all your characters hate each other.

^_^

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06/06/2011 04:24

Haha, hilarious! I laughed out loud and woke my housemates at this: "Readers are dumb. They are unable to infer a single thing." I think subconsciously I used to think that when I started writing. Then I realized I wasn't actually smarter than everybody else in the world. :P

By the way, I can argue on point 13. If the backstory is used for a purpose and is in agreeable form (i.e. action/dialogue) it is actually useful advicem though of course starting in the thick of it is a good practice too. :)

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06/06/2011 06:25

SO FUNNY! Loved this post and giggled all the way through it...

thanks for the morning chuckle!

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06/06/2011 06:44

"11) Phrases such as “all hell broke loose”, “needle in a haystack”, “so hot you could fry an egg on the sidewalk” are not only cute but are widely known terms that people worldwide can relate to."

Oh gods :P People worldwide can relate! Hehe ^_^

Definitely start the book with someone waking up from a dream and looking in the mirror to describe themselves.

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06/06/2011 09:04

Oh! Becka beat me to it - glad I checked the comments! I can't stand clunky ways that characters are described, like mirror gazing, or someone else commenting on a feature in a jarring manner.

How about this one: "Study soap operas to improve your dialogue. Especially re-runs of Dynasty."

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06/06/2011 09:06

Some of these are extremely blunt and quite wise, but others I need to disagree with.

Keeping a character consistent is fine, but if they don't grow or address happenings in their life in order to change, what's the point of their journey? Consistency is always key, however I would much rather have a character endure life-shattering trauma and do things that are slightly out of character (something ALL of us are guilty of in real life) than have a person act the same exact way from beginning to end.

Also, describing a character's surroundings. I agree that it can add a lot to a reader's experience in piecing together exactly what an environment looks like, but going into too much detail about a place a person may not visit again can occasionally slow things down too much. I try and describe as much as I can when a character first enters a new environment, but when I FEEL bored by all the description, I move on. I go with my gut, which probably the best idea, but words can move a story only so fast. Too much time dealing with a pencil cup or a coat hanger (unless it helps build a character), at least to me, is wasted space.

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06/06/2011 10:17

PHEW!!! I do all of these in my writing. I'm so glad I'm doing something right. ;)

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06/06/2011 13:48

Don't forget to make your vampires sparkle in the sunlight.

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06/06/2011 15:08

I read a piece of advice dished out at a writers workshop recently. It read: My main character must be decent, do the right thing, do the right thing, forges ahead through dangerous circumstances.

While I can understand some of that, my characters have been everything from deranged vampires to sociopath murderers. How can I make a murderer do the right thing?

Also, make sure your characters always end up with the first secondary character introduced. That way no one is unpleasantly surprised.

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06/06/2011 15:44

LOL, great advice!

And writers should be more or less specific. Also, exaggeration is a billion times worse than understatement. Finally, eliminate commas, that are, unnecessary.

Nancy
http://nancylauzon.blogspot.com
The Chick Dick Blog

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06/07/2011 12:08

OMG I actually though you were serious at first :-) Ha ha!

What about:

Always over-explain, otherwise the readers won't know what you mean.

Always make sure that you describe the narrator/main person in details and make sure he/she is unnaturally hot.

:-)

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booyanon
07/02/2011 08:44

Willa said: "Always make sure that you describe the narrator/main person in details and make sure he/she is unnaturally hot. "

Oh, that one bugs me. It's one of the reasons I stopped reading the Sookie Stackhouse novels. Her outfit is described in painstaking detail in every scene and we're constantly reminded that she's a supernaturally hot blonde. Yeah, we get it.

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10/02/2011 15:01

Skip the adverbs TEAMED with "said" - just never use "said." He grunted, she moaned, they yelped, we barked...it's the only way the reader can really know how your characters FEEL.

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10/02/2011 16:36

Oh heavens. *blush* At first I thought you were being serious &, having not even attempted to write a novel yet, was completely perplexed at how different this was than everything else I've read about writing a novel. Then it finally dawned on me & I was laughing out loud so much my ribs hurt. This is great, Angela. Thanks for the giggle amongst all the seriousness of writing tips. :-)

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10/06/2011 10:47

Brilliant - know I know what I've been doing wrong all this time!

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Thia
10/06/2011 11:07

LOL! May I add:

Don't stick to one time period. Use flashbacks! Flash forward! Preferably, multiple times in the same chapter. This will keep the reader alert as they try to figure out where the hell the story is in the timeline.

Use big words. The biggest and most obscure you know. As often as you can. Your readers should all have dictionaries, and enjoy using them repeatedly as they read.

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10/07/2011 04:16

When I first read this, I thought you were dead serious! I actually started ranting about how this was exactly what you WEREN'T supposed to do. Then I got to number 8 and it hit me.

Now that I know it's a joke, it is hilarious :)

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10/18/2011 18:20

So funny! I agree with other commenters on looking in the mirror to describe your character. And of course you must describe every detail: eye colour, hair colour, that obscure scar behind her left knee.

And don't forget to stop in the middle of an action scene to painstakingly describe the scenery or delve into the character's thoughts on gardening.

Also, try not to use too many paragraph breaks. It's much easier on the reader's eyes to read text in large unbroken chunks. Especially dialogue. It's rude to interrupt a character in the middle of a fifteen page monologue.

:)

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10/23/2011 09:14

Like Willa, I at first thought you were serious too! I'd fail miserably at that 150 k word count! Thanks for the laugh.

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Ed Varga
10/28/2011 07:53

Love It!

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